Flurries of Words (FLOW) was lucky enough to sit down with best-selling
Fantasy author David Dalglish for a one on one chat about his work, life and new novel
The Broken Pieces. Here's
what he had to say...
FLOW: I hear that you have a particular debt of gratitude owed to
Mother Nature and her tornadoes. Can you explain for the audience?
How have you incorporated that experience into your writing?
DALGLISH: While going to college I got a part-time job delivering pizzas
for Pizza Hut. Well, as I continually failed to find any other job, that
part-time soon became full-time, as I was there for seven years. Finally, I
managed to get a stint as an emergency hire as a para-professional working with
Spec Ed students. The pay was great, and was very much looking forward to
coming back the following year...except the three other paras who all said
they'd be quitting changed their minds, and I was once more out of a job. Now
I'd left Pizza Hut on very good terms, and always looked at them as a back-up
should things go terrible. But a week before I found out I wouldn't be keeping
the para-professional job, a tornado came in and knocked our local Pizza Hut to
the ground.
So at this point, I'd been self-publishing for several months, we had
several months' worth of savings, and my writing income was creeping toward
$800 a month. So my wife and I decided to give writing full-time a shot, see if
we could live on that little, and hope sales improved. Well, they did. A
lot.
FLOW: So how did the progression
work? Instant success? Months of struggle? Was it difficult
at first? How did you manage to cope with the change from going to a 'set
schedule' to being your own boss? Did you find time management an
issue? How did you settle on the idea of going to the library in the
end? How do you keep iPhones and the like from distracting you there?
What about other patrons? Do they know they have a famous author in
their midst? ;-)
It was hardly instant success. There's a thread on Kindleboards.com
where I listed my first month's sales. I was crazy excited earning $35 bucks. I
didn't really take off until my fourth book, A Dance of Cloaks, which got swept up in a mini-boom of assassin
novels and I enjoyed the ride.
I used to write in my spare time, but it was always random and
inefficient. Too easy access to the internet, too many distractions. I finally
understood why so many people wrote at Starbucks, but at the same time, I'd still
rather go somewhere else. Somewhere quieter...hence the library. No internet
access for my laptop. Quiet area. Plenty of tables for privacy. Just put my
phone on silent and go. And since I drive there, it makes it hard to wimp out
without accomplishing anything since, you know, I drove there.
And yes, they know they have an author, though maybe not famous. I give
them a copy of every book I publish. I'll soon have an entire shelf of my own
;-)
FLOW: Other than your natural talent for telling an engaging
story, to what do you attribute your phenomenal success in Indie
Publishing? How much do you think World of Warcraft played a
role? Fabulous artwork? Any other factors that you feel were key in
getting the word out?
DALGLISH: There's a ton of
factors. I got in early, that helped a ton. I managed to ride the early waves
of freebies and 99 cents, before they became common-place. World of Warcraft's
interesting, because I think it helped bring about what many would consider
traditional high-fantasy into a wider audience. People who might not touch a
Dragonlance book could still pick up and play WoW, giving them some exposure to
a genre they end up thoroughly enjoying. Peter Ortiz's covers certainly helped,
especially in the early days. See, when I started, the stigma against
self-published books was still pretty high (nothing compared to ten years ago,
but still high). And the easiest way to tell a self-published book from a
traditional was the cover. Lately, though, it's getting harder and harder to
notice the difference. A lot of good artists and photo-manipulators are
realizing there's a desperate need for people who know what they're doing.
FLOW: Several of your novels focus on close relationships that end
up being highly conflicted--relationships that you portray very genuinely and
convincingly. What has been the inspiration for this theme? Are
there any experiences that you drew upon in writing these that you can share
with us?
DALGLISH: If you asked random
people to list what was most important to them, relationships will usually be
near the top. Given the choice, most would give up their job over losing their
spouse. Most (at least the people I want to associate with) would rather be
poor than lose their kids. So if relationships are so important to everyone,
then they should be important in the story, right? And when something is
important to you, you work for it, you sacrifice for it, sometimes even blindly.
When I want solid drama, I try to have people torn between things they love. If
you must choose between your wife and your brother, what do you do? If your
faith brands your best friend a heretic, what then? There's no obvious
solution, and even if there is a clear cut "right" answer, doing it
isn't easy. Getting these characters torn up, twisted about, and hurt because
of the "right" answer just continues to up the ante.
FLOW: Choice seems to be a
particularly strong theme in your work. How do you come up with the
dreadful decisions your characters face? How are they influenced by real
world experiences and events? Can you give us an example of how you
incorporated situations or encounters from real life into your stories?
DALGLISH: The situations generally arise as the natural conclusion to
everything I set up. What I tend to do is create the characters, both good and
bad. I then screw around for a bit, get a chance to familiarize myself/readers
with who they are, put them through some challenges, and start really
establishing what the stakes are. I try to have every novel have a nice, solid
focal point, a moment where the various story lines come to a head.
These are the pivotal scenes readers remember, the ones that define each
character.
I tend to not incorporate real life situations and encounters into my
work, at least not seriously (I do have tons of little easter eggs, usually of
me killing off characters named after author friends). Closest I can think of
is when the Joplin tornado just wrecked everything, that day I was writing in
the library and decided to have Darius face such a monstrous tornado in a dream
sequence. I wasn't in Joplin when the tornado hit, but I tried to put
everything I was hearing, all the terror and shock, into that single moment.
Hardly a major scene, but I didn't want it to be. As with a lot of these
things, I wrote the scene for myself.
FLOW: Now that you've become such a major success,
how are you able to strike that important balance between your writing and your
family and relationships? What helps you to keep the relationships the
main focus? How involved is your family in your work?
DALGLISH: What's great about my job is that I don't need to strike some
delicate balance. Whether I was selling 1k books a month or 10k, my routine
remains the same. I go to the library, write for 2-3 hours, then come home.
That's it. I have the best job ever. As for Sam, she's my sounding board. I
ramble off ideas, and she vetoes the ones that are terrible. She's kept plenty
of characters alive that would have died otherwise.
FLOW: I've been told that the character Tessanna gives a very
accurate and realistic picture of someone with bi-polar disorder. How
were you able to bring her and her madness to life so vividly?
DALGLISH: All credit to my wife
on this one. Tessanna was her creation, someone she played on an online
role-playing game, where I actually first met her. Rapid mood swings, intense
emotions, sometimes long periods of apathy, etc. Her character had also been
sexually abused as a child, so I made sure her behavior adopted that as well
(in her case, an aggressive, non-socially acceptable sexuality). I
researched off and on to see if I was keeping her fairly close to realistic (as
well as need be in a world where she can snap her fingers and explode a man's
brains out his eyeballs) and it seemed I had things down all right. I never
actually decided she had bi-polar, interestingly enough. I just wanted her
damaged, unpredictable. I don't think it was until the fourth book I fully
settled on that for her.
FLOW: Do you and your wife frequently collaborate on your
characters then? Do her ideas often find their way into your work?
What other influences do you have? Would friends and family be
surprised to find themselves somewhere in your stories? Speaking of
family and friends, how do they take your chosen profession: are they big
fans of your work, just politely interested or something in between? How do you
deal with that?
DALGLISH: I basically stole two
characters, Aurelia Thyne and Tessanna Delone, from my wife. Beyond that, the
rest are mine. Though I do plan on putting in a character just for her in the
sixth Half-Orc. She's really been wanting a female archer. The rest of my
family's supportive, but don't really read my genre. They know they're in my
books, though, all my friends and family. Jerico the pally is based on a
protection paladin my friend made for World of Warcraft. Tarlak's from Ultima
Online, where my older brother always ran around in a goofy yellow robe and
black cape. They know it, they love it, even when I'm poking fun at their
characters or even killing them off.
FLOW: Now that you never have to see the inside of a Pizza Hut
again unless you want to, what do you miss about it? Do you ever eat
their pizza? What's your favourite PH pizza? Would you want your children
to eat there?
DALGLISH: I know some people say
once they work somewhere they can never eat there, but with Pizza Hut, there's
enough variance I never had that happen. I do still eat there, but sadly most
of the workers I once knew have all moved on, so I can't get the really oddball
pizzas I used to order. My favorite's probably the double-decker, and totally
not allowed. We took a thin crust, layered it with sauce and cheese, put a full
hand-tossed crust on top of it, and then layered it with cheese, pepperoni, and
finally more cheese. Totally worth the pain later.
FLOW: Sounds delicious. :-)
Can you tell us a little bit about your new book, the final instalment of
the Paladin series, The Broken
Pieces? Is this really the end for the Paladins? Sure,
it's important to know when to stop with a good story, but won't some of the
characters crop up again somewhere else? Any and all spoilers would be
greatly appreciated...
DALGLISH: For the series, it is
*probably* the end. There's one more key book, The Fall of the Citadel, that
takes place pretty much before the rest of the series, involving mostly
different characters. I'm not sure if I'll just make it a stand-alone should I
ever get to it, number it Paladins #0, whatever. Now the Paladins series in the
first place was a spinoff for a major character from the Half-Orcs, so he
obviously shows up in that series. I'll also be bringing in two characters from
the series into the Watcher's Blade trilogy, particularly the second book I'm
about to start. Some characters I just can't let go of...
FLOW: Is there anything else you'd like to share
with our readers?
DALGLISH: Just that I love 'em.
They let me live a dream.
FLOW: Thank you so much for taking the time to talk
with us.
David Dalglish's new
book The Broken Pieces went on sale last week and is currently
available everywhere. It is today's BOOK
OF THE DAY. Visit David's website at: http://ddalglish.com
Great interview. Good to hear about DD's phenomenal success. He's one hard working dude and deserves the rewards.
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